The
112 call turned into a script, the caller replaced by a voice actor,
the dispatch center transformed into a film set.
Enter The Dispatch, a new EO reality show.
Enter The Dispatch, a new EO reality show.
The camera follows
officer Hannelore de Laat as she’s going to work. She takes her
seat behind the desk and starts answering 112 calls. Pretty quickly
the penny drops and you realize you’re not watching reality TV, but
something that feels more like a dialog from The Office. Awkward.
If anything, it emphasizes the blindspot at the entrance of the constitutional state. Emergency calls stay in the vault. Police rarely release any to the public. Like in my previous post, what we get is written excerpts, and that’s it. We the people can’t check a thing.
If anything, it emphasizes the blindspot at the entrance of the constitutional state. Emergency calls stay in the vault. Police rarely release any to the public. Like in my previous post, what we get is written excerpts, and that’s it. We the people can’t check a thing.
So
wouldn’t it be a great assignment for a law faculty student to pull
up all public court records from the last 10 years where the 112
audio was unavailable? Especially for a student like Daphne, who
“always wondered why things are the way they are”, as her teacher
Stefaan van den Bogaert said in de Observant. “She always wanted to
know everything”.




